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How to Shoot for Glamour
Nothing has ever demonstrated the concept of "you've come a long
way, baby" for me more than this tome on "glamour" photography
that was published in the exact month and year of my birth. Perhaps
this book may be redeemed by its technical information about photography.
However, the amount of condescension per page toward the female gender
outweighs any benefit it may provide. I was thinking about highlighting
the offensive parts of this book, but I began to realize that I would
have to swab entire pages with my yellow marker. Clearly, it would have
been more efficient to dip the whole book into highlighter ink.
Let's let the editor speak for himself:
"On only one point would I like to be dogmatic. you
will notice that there are no pictures by women in this book.
I have a deep personal conviction that only men can take exciting
pictures of women. To take exciting pictures of women by showing them
at their feminine best you have to stimulate them and this is generallly
a man's doing."
It would be most entertaining to hear the gay/lesbian/bisexual community
weigh in on that statement! Even I, a straight woman, take exception
at that remark.
But it gets worse. Later, he clarifies the woman photographer's role.
In a section entitled, "It Helps To Be A Man," we read that:
"I say 'men' because since the dawn of time, the best
paintings, sculptures and photographs of the eternal female have been
made almost exclusively by men. There have been a number of
good female photographers but most of them have specialized in shooting
children, men, skyscrapers, sharecroppers, and women's fashions, not
women."
Don't you just love that backhanded compliment to the
work of Dorothea Lange?
Just when I thought I'd read the worst, I came across this gem:
"The successful glamour photographer, then, should not
only sincerely feel that Woman is Man's ideal of beauty and have the
inclination to interpret this beauty in warm and inviting and exciting
terms. He must also be able to mold what Aristotle described as woman's
passive clay. For as the great philosopher said, "The courage of
man is shown in commanding; that of woman in obeying ... As the poet
says, "Silence is a woman's glory.'" So women, Silence! We're
now going to talk about you."
Well, excuuuuuuse me! I may not be the photographer's ideal of beauty,
but you don't see me being talked into giving myself a wedgie or letting
a man clothespin my sweater behind my back!
Chapter Eleven, Posing the Model; I. The Psychological Aspects of Posing
contains the following statement that might even make Mark Eden howl:
"There breathes no woman with soul so dead that she will
not subconsciously swell with pride at the sound of a compliment. 'Flattery
unflattens,' a photographer once told me. 'A compliment can help increase
the bust size by as much as two inches.'"
I could have left the book out lying in the field at Dixon's Furniture
Auction, to be hauled off eventually to the dumpster. Somehow, I'm glad
I retrieved it, if only to work it over like this. I feel better, more
empowered, already.